#: locale=en ## Action ### URL WebFrame_800954F0_B1D9_B6AB_41D2_22930B8C6933.url = https://sandboxstage.com/maybankfoundation/arus/photogallery/ WebFrame_996B7EB3_B1DB_92AD_41DD_8A8BA0D49737.url = https://sandboxstage.com/maybankfoundation/arus/photogallery/ WebFrame_9EB06996_B1CE_9E97_41D0_94AFAFCA9542.url = https://sandboxstage.com/maybankfoundation/arus/photogallery/ WebFrame_B34BF541_AF5A_77EC_41DD_414DC79E7802.url = https://sandboxstage.com/maybankfoundation/arus/photogallery/ WebFrame_9FCFAFB9_B1CA_F29C_41C0_808EA161297A.url = https://sandboxstage.com/maybankfoundation/arus/photogallery/ WebFrame_9FC5D87C_BA60_5577_41D6_DB03476AA502.url = https://sketchfab.com/models/cebbbd9fc37f42a29d4a452c7f3c7edd/embed PopupWebFrameBehaviour_90B1432E_BA60_F493_41DB_BAACAD9B21DC.url = https://sketchfab.com/models/cebbbd9fc37f42a29d4a452c7f3c7edd/embed WebFrame_80508CA6_B1D9_B6B4_41D9_B51142A81205.url = https://sketchfab.com/models/cebbbd9fc37f42a29d4a452c7f3c7edd/embed LinkBehaviour_6D7262D2_BC3C_2DE2_418F_E79C92C96095.source = https://www.maybankfoundation.com/index.php/previous-exhibition LinkBehaviour_62505B98_BC44_5C6E_41A5_3E53F69C0149.source = https://www.maybankfoundation.com/index.php/previous-exhibition WebFrame_DE02F2CC_C01A_EBC2_41E4_C265F426CB3D.url = //www.youtube.com/embed/2v2oX3BrqDk WebFrame_8E7ED366_BAA0_5492_4194_093C0EF012F9.url = //www.youtube.com/embed/2v2oX3BrqDk WebFrame_9212B72A_B149_93BF_41D9_B160D937D97F.url = //www.youtube.com/embed/43HSEENA6mM WebFrame_9ABD5C53_B9A0_ACB2_41C7_A7D9F4A4F379.url = //www.youtube.com/embed/43HSEENA6mM WebFrame_9D32A3B7_B1D6_B295_41CB_244B737CFAA6.url = //www.youtube.com/embed/Akw2BLj74a4 WebFrame_E115DAA2_C148_FBAF_41C5_DD4A6CB59048.url = //www.youtube.com/embed/Akw2BLj74a4 WebFrame_946A93C8_BAEF_BB9F_41B3_22E1C02881DF.url = //www.youtube.com/embed/Pj6Yr3ulaCo WebFrame_89F5774E_BAA1_FC93_41E4_A461623E6E5A.url = //www.youtube.com/embed/Pj6Yr3ulaCo 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HotspotPanoramaOverlayArea_C0BC6C62_BC4C_74DD_41BB_09990BA1F0F3.toolTip = A Steady, Wavering Tone Installation by Pauline Vicencio Despi HotspotPanoramaOverlayArea_C4C3CCCF_BC5C_55E3_41E5_33158D5043D1.toolTip = Bambarayon by Memeto Jack HotspotPanoramaOverlayArea_D4209A60_BC45_FCDE_41E5_778684D27E10.toolTip = Cosmic Garden #2 by Issay Rodriguez HotspotPanoramaOverlayArea_D5BE824F_BC4C_6CE3_41E6_693DC87D8EA7.toolTip = Cosmic Garden by Issay Rodriguez HotspotPanoramaOverlayArea_3B4045F0_BC3B_F7BD_41CA_DEB616AACA11.toolTip = Creator II by Maziyah Yussof HotspotPanoramaOverlayArea_C06044D3_BC4C_55E3_41D4_50D52CCF9837.toolTip = Di Bawah Kulung by Mira Hector HotspotPanoramaOverlayArea_C0A508F2_BC44_5DBD_41BE_4D8666D8BE23.toolTip = Emersed by Venice Foo HotspotPanoramaOverlayArea_C91158DF_BC44_FDE3_41E7_D565EF4790F2.toolTip = It Starts from Whitin Ourselves by Nazurah Usop HotspotPanoramaOverlayArea_CD50A41E_BC4B_D465_41D9_EFE6300F6D3F.toolTip = Myth Series #1 by Ng Hui Hsien HotspotPanoramaOverlayArea_CECD5CEC_BC44_35A5_41E7_ACAFBD8CD59D.toolTip = Myth Series #10 by Ng Hui Hsien HotspotPanoramaOverlayArea_D3651BDB_BC47_F3E3_4163_029AC1DAB0F7.toolTip = Myth Series #11 by Ng Hui Hsien HotspotPanoramaOverlayArea_CF2CA034_BC7B_ECA5_41D5_D882D9B803E0.toolTip = Myth Series #12 by Ng Hui Hsien HotspotPanoramaOverlayArea_C6259ACC_BC4C_DDE5_41DD_AC80D67F3CAC.toolTip = Myth Series #13 by Ng Hui Hsien HotspotPanoramaOverlayArea_CD5E9A34_BC44_5CA5_41DC_0285D8060936.toolTip = Myth Series #14 by Ng Hui Hsien HotspotPanoramaOverlayArea_CEE9D701_BC4F_D45F_418E_FB957B8EC03A.toolTip = Myth Series #15 by Ng Hui Hsien HotspotPanoramaOverlayArea_CE821CB6_BC47_D5A2_41DA_6848B0FEAA71.toolTip = Myth Series #16 by Ng Hui Hsien HotspotPanoramaOverlayArea_CE5B3AB2_BC44_3DA2_41E2_A138F87B2FCF.toolTip = Myth Series #2 by Ng Hui Hsien HotspotPanoramaOverlayArea_C6B2107E_BC44_ECA2_41DD_C4B80D1E2D4C.toolTip = Myth Series #3 by Ng Hui Hsien HotspotPanoramaOverlayArea_CD879F31_BC44_54BF_41DE_83DBC64C692B.toolTip = Myth Series #4 by Ng Hui Hsien HotspotPanoramaOverlayArea_D07283AA_BC45_D3AD_41DC_A4EF8089E874.toolTip = Myth Series #5 by Ng Hui Hsien HotspotPanoramaOverlayArea_CF6B4483_BC44_7463_41E2_1FA455EA2EF7.toolTip = Myth Series #7 by Ng Hui Hsien HotspotPanoramaOverlayArea_C8396113_BC7C_6C63_41E5_BAD6C0CDEE80.toolTip = Myth Series #8 by Ng Hui Hsien HotspotPanoramaOverlayArea_C827BC1E_BC4C_3465_41C5_A5AEE0929E0C.toolTip = Myth Series #9 by Ng Hui Hsien HotspotPanoramaOverlayArea_3282FA15_BDC5_DC67_4196_DCED33136F58.toolTip = Padian by Maziyah Yussof HotspotPanoramaOverlayArea_3D3406E9_BDC4_35AE_41DC_98A1C89D22DB.toolTip = Pasar Tjihapit - Groceries Series by Mira Rizki Kurnia HotspotPanoramaOverlayArea_CE4550C8_BC5C_2DED_41DA_AA7AED83BF77.toolTip = Pau Lambtom Ngelampat by Catriona Maddocks HotspotPanoramaOverlayArea_C5C3CF98_BC4B_F46E_41E2_45B9655D68F2.toolTip = Pride by Nazurah Usop HotspotPanoramaOverlayArea_3E490EB1_BDC4_D5BF_41CC_9DE26C0A8395.toolTip = Pua Lambton Ngelampat by Catriona Maddocks HotspotPanoramaOverlayArea_CD0685E1_BC44_D7DF_41D3_5AB63D542D33.toolTip = Taman Hutan by Ila HotspotPanoramaOverlayArea_C1AD7591_BC44_547E_41AC_67BC7C551648.toolTip = The Iban Girl by Susannah Anak Rogo Sitai Liew HotspotPanoramaOverlayArea_C058A01D_BC3C_2C67_41D3_7F1EDB005DD3.toolTip = The Lun Bewang Girl by Susannah Anak Rogo Sitai Liew HotspotPanoramaOverlayArea_D32DBE3B_BC4D_F4A3_41D6_51E3E710729E.toolTip = The Organs of Earth - The Mythical Landscape by Wendy Teo HotspotPanoramaOverlayArea_3E00AE20_BDCC_545D_41E0_D1A91715B759.toolTip = Turun by Ila ## Media ### Audio audiores_4F67626F_BC5C_ECA3_41E2_9F97D74FEE7C.mp3Url = media/audio_501F4171_BC5C_2CBF_41D9_755825207536_en.mp3 audiores_D7DAA1E7_BC44_6FA3_41DC_4754E9AB191E.mp3Url = media/audio_DB810547_BC3B_F4E3_41D5_71DE29D2C0F2_en.mp3 ### Floorplan ### Image imlevel_E198C45E_FC1E_F4A9_41D3_DA75683EA936.url = 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ILA
Taman Hutan


Single channel video, color & sound
Chapter Four: The Wound Response, 20.12 mins
2021


In collaboration with Bani Haykal
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ILA
Taman Hutan


Single channel video, color & sound
Chapter One: The Birith of Garden, 14.18 mins
2021


In collaboration with Bani Haykal
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ILA
Taman Hutan


Single channel video, color & sound
Chapter Three: The Blight of the Nutmeg, 16.56 mins
2021


In collaboration with Bani Haykal
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ILA
Taman Hutan


Single channel video, color & sound
Chapter Two: Sumpah Tanah, 8.28 mins
2021


In collaboration with Bani Haykal
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ILA
Turun


Single channel video, color & sound
19.30 mins
2020
HTMLText_B4BF248E_AF77_F577_41D9_3E9445FEF82E.html =
MIRA RIZKI KURNIA
Pasar Tjihapit - Groceries Series


Digital Photgraphy & Sound Composition
8.48 mins
2020


In Collaboration with GURU
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MIRA RIZKI KURNIA
Pasar Tjihapit - Groceries Series


Digital Photgraphy & Sound Composition
8.48 mins
2020


In Collaboration with GURU
HTMLText_99697EB3_B1DB_92AD_41D3_BAE566599125.html =
MIRA RIZKI KURNIA
Pasar Tjihapit - Groceries Series


Digital Photgraphy & Sound Composition
8.48 mins
2020


In Collaboration with GURU
HTMLText_9FCC6FBA_B1CA_F29C_41D0_49CB5B95463F.html =
MIRA RIZKI KURNIA
Pasar Tjihapit - Groceries Series


Digital Photgraphy & Sound Composition
8.48 mins
2020


In Collaboration with GURU
HTMLText_9EB00997_B1CE_9E95_41E1_62D25A979697.html =
MIRA RIZKI KURNIA
Pasar Tjihapit - Groceries Series


Digital Photgraphy & Sound Composition
8.48 mins
2020


In Collaboration with GURU
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NG HUI HSIEN
Myth Series #10


Silver gelatin prints on matte fibre-based paper
34.8 x 26.7cm
2020
HTMLText_F7CA498C_B0BE_9F7B_41C4_17CCE5E6671E.html =
NG HUI HSIEN
Myth Series #11


Silver gelatin prints on matte fibre-based paper
39.5 x 29 cm
2020
HTMLText_F9F9F34E_B0BA_73F7_415C_BE48E0CF46AC.html =
NG HUI HSIEN
Myth Series #12


Silver gelatin prints on matte fibre-based paper
21 x 21 cm
2020
HTMLText_F7DD660B_B0CA_B57D_41C7_85CB2047947A.html =
NG HUI HSIEN
Myth Series #13


Silver gelatin prints on matte fibre-based paper
12.5 x 23.7 cm
2020
HTMLText_F9E72394_B0CE_736B_41D6_DCDDBF73859D.html =
NG HUI HSIEN
Myth Series #14


Silver gelatin prints on matte fibre-based paper
26.5 x 35 cm
2020
HTMLText_F619C99A_B0CA_BE9C_41D6_31C9D54CA759.html =
NG HUI HSIEN
Myth Series #15


Silver gelatin prints on matte fibre-based paper
34.9 x 26.6cm
2020
HTMLText_F6589FF2_B0CA_B2AD_41C5_94DFD8ECD4C2.html =
NG HUI HSIEN
Myth Series #16


Silver gelatin prints on matte fibre-based paper
27.5 x 28 cm
2020
HTMLText_9AC8C3D3_B1DB_B2ED_41D3_FF0EAF11D609.html =
NG HUI HSIEN
Myth Series #1


Silver gelatin prints on matte fibre-based paper
19.5 x 26.9 cm
2020
HTMLText_F5B6B6C2_B15E_92EC_41D8_B6AD1A674607.html =
NG HUI HSIEN
Myth Series #2


Silver gelatin prints on matte fibre-based paper
27 x 20.4 cm
2020
HTMLText_F6576447_B15E_95F5_41E4_C646FD4BAC84.html =
NG HUI HSIEN
Myth Series #3


Silver gelatin prints on matte fibre-based paper
29.2 x 26.5 cm
2020
HTMLText_F417FEF4_B15A_B2AB_41E6_129F8F314353.html =
NG HUI HSIEN
Myth Series #4


Silver gelatin prints on matte fibre-based paper
27 x 16.5 cm
2020
HTMLText_F4B9B75C_B15B_F394_41D1_50BDC6BC0D5F.html =
NG HUI HSIEN
Myth Series #5


Silver gelatin prints on matte fibre-based paper
26.5 x 35 cm
2020
HTMLText_F7C371E5_B15A_6EB5_41E2_8FDE752519E4.html =
NG HUI HSIEN
Myth Series #6


Silver gelatin prints on matte fibre-based paper
34 x 18.8 cm
2020
HTMLText_F681B465_B156_95B5_41E3_383850428FDA.html =
NG HUI HSIEN
Myth Series #7


Silver gelatin prints on matte fibre-based paper
25 x 20.3 cm
2020
HTMLText_F7F0787D_B14A_7D95_41CA_321B8376F829.html =
NG HUI HSIEN
Myth Series #8


Silver gelatin prints on matte fibre-based paper
26.5 x 35 cm
2020
HTMLText_F9391752_B0B7_93EF_41E1_7FC21C4F5EEF.html =
NG HUI HSIEN
Myth Series #9


Silver gelatin prints on matte fibre-based paper
34.5 x 27.5 cm
2020
HTMLText_9D3483BB_B1D6_B29D_41E0_A4EFAE17C059.html =
PAULINE VINCENCIO DESPI
A Steady, Wavering Tone


Installations
Variable dimensions
2019
HTMLText_80561CAD_B1D9_B6B4_41E5_0398CC932B95.html =
WENDY TEO
The Organs of Earth - The Mythical Landscape


Ink on Paper & AR
ariable dimensions
2020
HTMLText_F9ED4ACF_B0BA_72F5_41AC_8D8E8E602B55_mobile.html =
NG HUI HSIEN
Myth Series #10


Silver gelatin prints on matte fibre-based paper
34.8 x 26.7cm
2020
HTMLText_F7CA498C_B0BE_9F7B_41C4_17CCE5E6671E_mobile.html =
NG HUI HSIEN
Myth Series #11


Silver gelatin prints on matte fibre-based paper
39.5 x 29 cm
2020
HTMLText_F9F9F34E_B0BA_73F7_415C_BE48E0CF46AC_mobile.html =
NG HUI HSIEN
Myth Series #12


Silver gelatin prints on matte fibre-based paper
21 x 21 cm
2020
HTMLText_F7DD660B_B0CA_B57D_41C7_85CB2047947A_mobile.html =
NG HUI HSIEN
Myth Series #13


Silver gelatin prints on matte fibre-based paper
12.5 x 23.7 cm
2020
HTMLText_F9E72394_B0CE_736B_41D6_DCDDBF73859D_mobile.html =
NG HUI HSIEN
Myth Series #14


Silver gelatin prints on matte fibre-based paper
26.5 x 35 cm
2020
HTMLText_F619C99A_B0CA_BE9C_41D6_31C9D54CA759_mobile.html =
NG HUI HSIEN
Myth Series #15


Silver gelatin prints on matte fibre-based paper
34.9 x 26.6cm
2020
HTMLText_F6589FF2_B0CA_B2AD_41C5_94DFD8ECD4C2_mobile.html =
NG HUI HSIEN
Myth Series #16


Silver gelatin prints on matte fibre-based paper
27.5 x 28 cm
2020
HTMLText_9AC8C3D3_B1DB_B2ED_41D3_FF0EAF11D609_mobile.html =
NG HUI HSIEN
Myth Series #1


Silver gelatin prints on matte fibre-based paper
19.5 x 26.9 cm
2020
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NG HUI HSIEN
Myth Series #2


Silver gelatin prints on matte fibre-based paper
27 x 20.4 cm
2020
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NG HUI HSIEN
Myth Series #3


Silver gelatin prints on matte fibre-based paper
29.2 x 26.5 cm
2020
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NG HUI HSIEN
Myth Series #4


Silver gelatin prints on matte fibre-based paper
27 x 16.5 cm
2020
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NG HUI HSIEN
Myth Series #5


Silver gelatin prints on matte fibre-based paper
26.5 x 35 cm
2020
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NG HUI HSIEN
Myth Series #6


Silver gelatin prints on matte fibre-based paper
34 x 18.8 cm
2020
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NG HUI HSIEN
Myth Series #7


Silver gelatin prints on matte fibre-based paper
25 x 20.3 cm
2020
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NG HUI HSIEN
Myth Series #8


Silver gelatin prints on matte fibre-based paper
26.5 x 35 cm
2020
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NG HUI HSIEN
Myth Series #9


Silver gelatin prints on matte fibre-based paper
34.5 x 27.5 cm
2020
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Catriona Maddocks is a curator, artist and researcher from the United Kingdom and based in Sarawak, East Malaysia. Her cross-disciplinary work focuses on collaborative platform building, and developing spaces to explore identity, community narratives and cultural histories within the contemporary context.
Catriona received her BA (Hons) in Fine Art in 2006 from the UK, and MA in Arts Management in 2017 from Malaysia. She is the co-founder of Catama, an award-winning social enterprise working to document, preserve and reimagine traditional craft practices in Sarawak, and Borneo Bengkel, a platform for creative and cultural practitioners.
Catriona’s art work is greatly informed by her curatorial practice, which focuses on weaving narratives and stories together and finding points of reference and crossovers between cultures. She has a background in theatre and the arts. While her curatorial practice has been her primary focus in recent years, she has exhibited her work sporadically throughout the last decade.
Her artwork explores mythologies and narratives of identity and sense of self. A recipient of the 2020 Krishen Jit Fund, she is currently developing new works exploring craft, integrated QR codes and digital archives, and an illustrated series called “Pua” exploring Gaelic and Bornean myths and legends.




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Growing up in the gritty suburbs of Manila, Pauline Vicencio-Despi learned to embrace the noise and textures of the environment as both her home and her playground. The sound of the machines in her grandfather's workshop and the flow/ movement of the Dampalit river behind their house influenced the style and theme of her art.


Pauline’s mixed media works involve synthesising percussive and industrial sounds with moving or static imagery, expanding the dimension in which the image can be experienced or viewed - to create her brand of unique narrative fiction. She has collaborated with fellow visual artists, musicians, dancers and sound artists in various improvised live performances and exhibits.


A video and sound artist for a studio called ‘The Acid House’, Pauline is also one-half of ‘Sublingua, Submachines’, a sound/ video experimental laboratory she shares with her husband. Their exhibits include New Weave Singapore/Australia (2021); Glass Feathers, Amniotic, Music For The Impaired (2013 Art Fair Philippines); and Babel, which was also screened in Kuala Lumpur, London, Montreal and New York.


She has recently concluded her fourth solo show called Wave Form and Eclipses and doing an A/V series New S1mulation for Sublingua, Submachines; and pen and ink series called Siamese, Snakes.
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Issay Rodriguez obtained a Bachelor of Fine Arts degree from the University of the Philippines. She was a Jose Moreno Foundation scholar and received a bursary to attend the École Nationale Supérieure des Beaux-Arts, Paris before graduating with the Outstanding Thesis Award in 2013.
Rodriguez’s current art practice revolves around projects that deal with themes on humanism and ecology. Through research and community engagements enabled by artist residencies and interdisciplinary collaborations, she is able to work on projects that allow oneself to think about how thoughts, emotions, and values can be explained or expressed through art and technology.
Recent projects and residencies include Brighter Than Many Ever See, Silverlens, Makati (2021) Doon AR/VR Project, art n/23 AFP incubator space, (2020); B+, Bamboo Curtain Studio, Taipei (2019); Vanishing In The Process: Exploration of Dream States and Symbolism, between LIR Space, Yogyakarta, and 98B Manila; Bellas Artes Projects in Bataan (both 2017 to 2018); and a collaborative project for Viva Arte Viva 57th Venice Biennale (2017).
Her works were shortlisted for Fernando Zobel Visual Arts Prize (2018); awarded Patnubay ng Sining at Kalinangan for Visual Arts (2017); First Grantee: Portfolio Art Prize | 10 Artists Supporting Artists (2020); and is the 6th Filipino Artist Resident: Gasworks, London Artist Residency (2022).
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Maziyah Yussof is a multidisciplinary artist who specialises in painting, pattern-making and digital illustration. Her strong connection to her Islamic faith and experiences of motherhood inspire a lot of the works that she creates. The subject of her work heavily draws inspiration from Brunei's landscape and is often playful and dreamlike in tone. Her work primarily revolves around the theme of creation, nature and fertility.


Maziyah has a Bachelors in Fine Art from the University of Southampton and a Masters in Education from the University of Bath. She is a teacher by profession, an active and accomplished member in the Brunei creative industry and has exhibited her works in Brunei, South Korea, the Philippines and the UK. She held her first solo exhibition in 2019 where she exhibited over 40 original artworks.
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Mira Hector is currently based in Kota Kinabalu, Sabah. Mira's art is heavily stemmed by her native Borneon roots showcasing her region and heritage. The beauty of merging influences from different cultures has honed her art in an inspirational aspect. Mira paints women as a symbol of boldness and illustrate them with her own personal approach. She aspires to stir a cultural revival through her inspired Bornean patterns and batik designs artwork.



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Mira Rizki Kurnia is a New Media artist who uses sound and its interactivity in her artistic practice. Relying on her sensibility of sound form, Mira explores the possibilities of sound-making through the interaction with environment. She displays the sound-making process and involves the audience in her sound installation by recording the sound's existence.
Her idea is to try to make people aware of their presence among the other entities in this world. Her works tend to be domestic because her aim is to amplify the ubiquitous event of sound by showing its process. Daily objects and activities are often used as her material and being manifested in her artistic practice.
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Ng Hui Hsien is an artist, educator, and researcher. Her art practice uses photography as a medium to explore themes such as (im)materiality and interconnectivity. She strives for her images, installations, and artist books to be gateways through which audiences can connect with themselves and the non-human world; they are sites where the unconscious can find expression, indirectly or otherwise.
Hui Hsien graduated from the University of West of England with a MA in Photography (Distinction). Her works have been internationally exhibited in institutions and photography festivals including solo shows at the Reykjavík Museum of Photography (Iceland), Comma Space (Singapore), and Objectifs Centre of Photography and Film (Singapore).
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Susannah Anak Rogo Sitai Liew is born and raised in Brunei Darussalam. She goes by her artist name Suzi Sitai. She comes from a diverse lineage of Lun Bawang, Iban, and Hakka.


She completed her Bachelor of Arts in Creative Arts and Technology at Universiti Brunei Darussalam in 2015. She proceeded to work as an art lecturer at a local college. She has recently completed her Master of Arts in Cultural Policy and Arts Management in University College Dublin in 2020. Her artworks have been exhibited on numerous occasions nationally and internationally and have been featured in numerous national publications.


Her works are deeply influenced in the styles of Symbolism, Surrealism and Art Nouveau. She tends to experiment and use a variety of mix media; ink, watercolour and acrylic. Most of her works are based upon her personal dedication, fascination and interest in the cultural identities of Borneo - showcasing the diversity of the island’s indigenous culture and its rich biodiversity.
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Tasyareena aka Memeto Jeck is a member of artist-collective Pangrok Sulap that was established in Ranau, Sabah Malaysia in 2010.


She has been actively working together with the collective consisting of indigenous Dusun and Murut artists, musicians and social activists who are dedicated to empowering rural communities through art. Memeto uses art as a medium to express her ideas on gender equality and women empowerment.


She has been participating in exhibitions locally and internationally. Her recent exhibitions include Reka:Cetakan at Hin Bus Depot, Penang (2021); Carving Reality: Contemporary Woodcut Exchange Exhibition from East Asia at The Backroom Kuala Lumpur (2020) and Art to Heart at Gallery Seni Dermaga DiRaja in Brunei Darussalam (2019).


She has been actively facilitating art workshops such as Printmaking Workshop with Art Mediators at Dhaka Art Summit, Bangladesh (2020); Bengkel Cungkil dan Cetak at Fakulti Seni dan Warisan, Universiti Malaysia Sabah (2019); Romantika Demokrasi at Publika, Kuala Lumpur (2019); Mobile Triennale: Aichi Triennale in Shitara-Cho Nagoya Japan (2019); Kawan Saa Woodcut Workshop in Shin-Okubo Earthdoom, Tokyo, Japan (2019).
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The intimate works of visual and performance artist Ila, incorporate objects, moving images and live performance. Through weaving imagined narratives into existing realities, she seeks to create alternative nodes of experience and entry points into the peripheries of the unspoken, the tacit and the silenced. Using her body as a space of tension, negotiation and confrontation, her works generate discussion about gender, history and identity in relation to pressing contemporary issues. Her work has been shown at Deck (2021); National Gallery Singapore (2020), The Substation; NTU Centre for Contemporary Art; National Design Centre (2019); Coda Culture; and ArtScience Museum (2018).



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Under the pseudonym doodlesandcolors, Nazurah Usop is a Brunei-based visual artist whose style of hard-edged abstracts and organic cultural patterns is best described as an experimental journey into the human mind through the myriads of shapes and colours. While her work has been featured locally extensively, she has represented Bruneian artists in Malaysian and Vietnamese galleries as well.
She takes inspiration from music, buildings, and as an 'artivist', from social issues. Her signature organic patterns do not just simply resonate as 'flora and fauna', but they also symbolise growth.



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Venice Foo is a full-time artist based in North Borneo.
She has always been inspired by nature, which is her biggest source of inspiration. From paintings to needle works, Venice’s works are meticulously detailed and brightly coloured. She is currently experimenting with different medium like origami, making installation with yarn and tattoo art. Venice is also currently preparing for her very first solo exhibition.
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Wendy Teo is a ARB/RIBA (UK) Chartered Architect and founder of Borneo Laboratory, a multidisciplinary practice based in Borneo Malaysia. Teo is also a visiting scholar in Feng Chia University (Taiwan) as an Assistant Professor. In Teo’s research and pedagogical direction, she and her team focuses on embedding social-culture dialogue in forming architectural innovation. Born in Borneo, Teo received her B.Arch (Dist.) from Taiwan Feng Chia University, M.Arch (Dist.) from Bartlett, UCL. During her career with Foster and Poster, Teo also accomplished her ARB Part III course from Cambridge University and qualified as LEED green associate. Teo's projects were endorsed by a number of international awards such as Holcim Sustainable Next Generation Award (First Prize), Archiprix, Threadneedle Prize and more. Her projects were exhibited across the UK, France, Germany, Slovenia, Turkey and Taiwan. One of the notable exhibitions is 2013/14 Archilab Naturalising Architecture exhibition curated by Pompidou Center director Frédéric Migayrou and FRAC Orlean Director Marie-Ange Brayer. Teo was nominated by British Council as a fellow in 2018 ‘Woman of the Future’ South East chapter organised by AVIVA group.
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Catriona Maddocks, b. 1985,
United Kingdom
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Ila b.1985,
Singapore
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Issay Rodriguez b. 1991,
Manila, The Philippines
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Maziyah Yussof b. 1988,
Brunei
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Memeto Jeck, b. 1988,
Sabah, Malaysia
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Mira Hector, b. 1993,
Sabah, Malaysia
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Mira Rizki Kurnia b.1994,
Bandung, Indonesia
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Nazurah Usop b.1988,
Brunei
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Ng Hui Hsien b. 1982,
Singapore
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Pauline Vicencio Despi b.1982,
Manila, The Philippines
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Susannah Anak Rogo Sitai Liew b.1990, Brunei
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Venice Foo, b. 1996,
Sabah, Malaysia
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Wendy Teo, b. 1984,
Sarawak, Malaysia
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CATRIONA MADDOCKS


Pua Lambton Ngelampat
Paint, pen & ink on tacing paper
84.1 x 59.4 cm
2022
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ILA


Taman Hutan
Single channel video, color & sound
Chapter Four : The Wound Response, 20.12 mins
2021


In Collaboration with Bani Haykal
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ILA


Taman Hutan
Single channel video, color & sound
Chapter One : Birth of the Garden, 14.18 mins
2021


In Collaboration with Bani Haykal
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ILA


Taman Hutan
Single channel video, color & sound
Chapter One : Birth of the Garden, 14.18 mins
2021


In Collaboration with Bani Haykal
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ILA


Taman Hutan
Single channel video, color & sound
Chapter One : Birth of the Garden, 14.18 mins
2021


In Collaboration with Bani Haykal
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ILA


Taman Hutan
Single channel video, color & sound
Chapter Three : The Blight of The Nutmeg, 16.56 mins
2021


In Collaboration with Bani Haykal
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ILA


Taman Hutan
Single channel video, color & sound
Chapter Two : Sumpah Tanah, 8.28 mins
2021


In Collaboration with Bani Haykal
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ILA


Turun
SIngle channel video, color & sound
19.30 mins
2020
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ISSAY RODRIGUEZ


Cosmic Garden # 1
Collage of vegetable flowers photographed in UVIVF
122 x 122 cm
2022
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ISSAY RODRIGUEZ


Cosmic Garden # 2
Collage of vegetable flowers photographed in UVIVF
122 x 122 cm
2022
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MAZIYAH YUSSOF


Creator II
Mixed media on canvas
100 x 70 cm
2018
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MAZIYAH YUSSOF


Padian
Digital illustration
48 x 33 cm
2020
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MEMETO JECK


Bambarayon
Woodcut print on paper
38 x 53 cm
2022
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MIRA HECTOR


Di Bawah Kulung
Acrylic, watercolor & ink on paper
21 x 29.7 cm
2020
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MIRA RIZKI KURNIA


Pasar Tjihapit - Groceries Series
Digital photography & sound composition
8.48 mins
2022


in collaboration with GURU
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NAZURAH USOP


It Starts from Within Ourselves
Ink & acrylic on paper
84 x 59 cm
2021
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NAZURAH USOP


Pride
Ink & acrylic on paper
84 x 59 cm
2021
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PAULINE VICENCIO DESPI


A Steady, Wavering Tone
Installations
Variable dimensions
2019
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SUSANNAH ANAK ROGO SITAI LIEW


The Iban Girl
Ink & acylic on wood
90 x 60 cm
2014
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SUSANNAH ANAK ROGO SITAI LIEW


The Lun Bawang Girl
Ink & acrylic on wood
90 x 60 cm
2018
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VENICE FOO


Emersed
Ink, colored pencils, graphite & embroidered with gold colored thread on paper
21 x 29.7 cm
2017 - 2022
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WENDY TEO


The Organs of Earth - The Mythical Landscape
Ink on paper & AR
Variable dimensions
2020
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CATRIONA
MADDOCKS
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ILA
HTMLText_AC581F08_B5CA_3BB5_41C1_02C21916E8B9.html =
ILA
HTMLText_AF5077D3_B5C9_CA5B_41B7_3323C623D17E.html =
ISSAY
RODRIGUEZ
HTMLText_ADA7E592_B5D9_CED4_41D1_B8A63F2FD5A5.html =
ISSAY
RODRIGUEZ
HTMLText_AF104E2B_B5F6_FDCB_41D2_AADB5699FFFC.html =
MAZIYAH
YUSSOF
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MAZIYAH
YUSSOF
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MEMETO
JECK
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MIRA RIZKI
KURNIA
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MIRA
HECTOR
HTMLText_AE6A8EE4_B5FA_DA7C_41E0_5060AFDC4FBA.html =
NAZURAH
USOP
HTMLText_AF5A8453_B5CA_4E5B_41B3_B8244D02849E.html =
NAZURAH
USOP
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NG
HUI HSIEN
HTMLText_AC1AD70F_B5CA_4BCB_4193_CC068E316624.html =
PAULINE
VICENCIO DESPI
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SUSANNAH
SITAI LIEW
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SUSANNAH
SITAI LIEW
HTMLText_AFBA0816_B5CA_45DC_41D2_779B4CD078CB.html =
VENICE
FOO
HTMLText_AC05D711_B5CA_4BD7_41A6_B3CC69B0D053.html =
WENDY
TEO
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Catriona Maddocks, b. 1985, United Kingdom


Catriona Maddocks is a curator, artist and researcher from the United Kingdom and based in Sarawak, East Malaysia. Her cross-disciplinary work focuses on collaborative platform building, and developing spaces to explore identity, community narratives and cultural histories within the contemporary context.


Catriona received her BA (Hons) in Fine Art in 2006 from the UK, and MA in Arts Management in 2017 from Malaysia. She is the co-founder of Catama, an award-winning social enterprise working to document, preserve and reimagine traditional craft practices in Sarawak, and Borneo Bengkel, a platform for creative and cultural practitioners.
Catriona’s art work is greatly informed by her curatorial practice, which focuses on weaving narratives and stories together and finding points of reference and crossovers between cultures. She has a background in theatre and the arts. While her curatorial practice has been her primary focus in recent years, she has exhibited her work sporadically throughout the last decade.


Her artwork explores mythologies and narratives of identity and sense of self. A recipient of the 2020 Krishen Jit Fund, she is currently developing new works exploring craft, integrated QR codes and digital archives, and an illustrated series called “Pua” exploring Gaelic and Bornean myths and legends.
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Ila b.1985, Singapore


The intimate works of visual and performance artist Ila, incorporate objects, moving images and live performance. Through weaving imagined narratives into existing realities, she seeks to create alternative nodes of experience and entry points into the peripheries of the unspoken, the tacit and the silenced. Using her body as a space of tension, negotiation and confrontation, her works generate discussion about gender, history and identity in relation to pressing contemporary issues. Her work has been shown at Deck (2021); National Gallery Singapore (2020), The Substation; NTU Centre for Contemporary Art; National Design Centre (2019); Coda Culture; and ArtScience Museum (2018).



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Issay Rodriguez b. 1991, Manila, The Philippines


Issay Rodriguez obtained a Bachelor of Fine Arts degree from the University of the Philippines. She was a Jose Moreno Foundation scholar and received a bursary to attend the École Nationale Supérieure des Beaux-Arts, Paris before graduating with the Outstanding Thesis Award in 2013.
Rodriguez’s current art practice revolves around projects that deal with themes on humanism and ecology. Through research and community engagements enabled by artist residencies and interdisciplinary collaborations, she is able to work on projects that allow oneself to think about how thoughts, emotions, and values can be explained or expressed through art and technology.
Recent projects and residencies include Brighter Than Many Ever See, Silverlens, Makati (2021) Doon AR/VR Project, art n/23 AFP incubator space, (2020); B+, Bamboo Curtain Studio, Taipei (2019); Vanishing In The Process: Exploration of Dream States and Symbolism, between LIR Space, Yogyakarta, and 98B Manila; Bellas Artes Projects in Bataan (both 2017 to 2018); and a collaborative project for Viva Arte Viva 57th Venice Biennale (2017).
Her works were shortlisted for Fernando Zobel Visual Arts Prize (2018); awarded Patnubay ng Sining at Kalinangan for Visual Arts (2017); First Grantee: Portfolio Art Prize | 10 Artists Supporting Artists (2020); and is the 6th Filipino Artist Resident: Gasworks, London Artist Residency (2022).
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Maziyah Yussof b. 1988, Brunei


Maziyah Yussof is a multidisciplinary artist who specialises in painting, pattern-making and digital illustration. Her strong connection to her Islamic faith and experiences of motherhood inspire a lot of the works that she creates. The subject of her work heavily draws inspiration from Brunei's landscape and is often playful and dreamlike in tone. Her work primarily revolves around the theme of creation, nature and fertility.


Maziyah has a Bachelors in Fine Art from the University of Southampton and a Masters in Education from the University of Bath. She is a teacher by profession, an active and accomplished member in the Brunei creative industry and has exhibited her works in Brunei, South Korea, the Philippines and the UK. She held her first solo exhibition in 2019 where she exhibited over 40 original artworks.



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Memeto Jeck, b. 1988, Sabah, Malaysia


Tasyareena aka Memeto Jeck is a member of artist-collective Pangrok Sulap that was established in Ranau, Sabah Malaysia in 2010.


She has been actively working together with the collective consisting of indigenous Dusun and Murut artists, musicians and social activists who are dedicated to empowering rural communities through art. Memeto uses art as a medium to express her ideas on gender equality and women empowerment.


She has been participating in exhibitions locally and internationally. Her recent exhibitions include Reka:Cetakan at Hin Bus Depot, Penang (2021); Carving Reality: Contemporary Woodcut Exchange Exhibition from East Asia at The Backroom Kuala Lumpur (2020) and Art to Heart at Gallery Seni Dermaga DiRaja in Brunei Darussalam (2019).


She has been actively facilitating art workshops such as Printmaking Workshop with Art Mediators at Dhaka Art Summit, Bangladesh (2020); Bengkel Cungkil dan Cetak at Fakulti Seni dan Warisan, Universiti Malaysia Sabah (2019); Romantika Demokrasi at Publika, Kuala Lumpur (2019); Mobile Triennale: Aichi Triennale in Shitara-Cho Nagoya Japan (2019); Kawan Saa Woodcut Workshop in Shin-Okubo Earthdoom, Tokyo, Japan (2019).


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Mira Hector, b. 1993, Sabah, Malaysia


Mira Hector is currently based in Kota Kinabalu, Sabah. Mira's art is heavily stemmed by her native Borneon roots showcasing her region and heritage. The beauty of merging influences from different cultures has honed her art in an inspirational aspect. Mira paints women as a symbol of boldness and illustrate them with her own personal approach. She aspires to stir a cultural revival through her inspired Bornean patterns and batik designs artwork.



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Mira Rizki Kurnia b.1994, Bandung, Indonesia


Mira Rizki Kurnia is a New Media artist who uses sound and its interactivity in her artistic practice. Relying on her sensibility of sound form, Mira explores the possibilities of sound-making through the interaction with environment. She displays the sound-making process and involves the audience in her sound installation by recording the sound's existence.
Her idea is to try to make people aware of their presence among the other entities in this world. Her works tend to be domestic because her aim is to amplify the ubiquitous event of sound by showing its process. Daily objects and activities are often used as her material and being manifested in her artistic practice.



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Nazurah Usop b.1988, Brunei


Under the pseudonym doodlesandcolors, Nazurah Usop is a Brunei-based visual artist whose style of hard-edged abstracts and organic cultural patterns is best described as an experimental journey into the human mind through the myriads of shapes and colours. While her work has been featured locally extensively, she has represented Bruneian artists in Malaysian and Vietnamese galleries as well.
She takes inspiration from music, buildings, and as an 'artivist', from social issues. Her signature organic patterns do not just simply resonate as 'flora and fauna', but they also symbolise growth.



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Ng Hui Hsien b. 1982, Singapore


Ng Hui Hsien is an artist, educator, and researcher. Her art practice uses photography as a medium to explore themes such as (im)materiality and interconnectivity. She strives for her images, installations, and artist books to be gateways through which audiences can connect with themselves and the non-human world; they are sites where the unconscious can find expression, indirectly or otherwise.
Hui Hsien graduated from the University of West of England with a MA in Photography (Distinction). Her works have been internationally exhibited in institutions and photography festivals including solo shows at the Reykjavík Museum of Photography (Iceland), Comma Space (Singapore), and Objectifs Centre of Photography and Film (Singapore).



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Pauline Vicencio Despi b.1982, Manila, The Philippines


Growing up in the gritty suburbs of Manila, Pauline Vicencio-Despi learned to embrace the noise and textures of the environment as both her home and her playground. The sound of the machines in her grandfather's workshop and the flow/ movement of the Dampalit river behind their house influenced the style and theme of her art.


Pauline’s mixed media works involve synthesising percussive and industrial sounds with moving or static imagery, expanding the dimension in which the image can be experienced or viewed - to create her brand of unique narrative fiction. She has collaborated with fellow visual artists, musicians, dancers and sound artists in various improvised live performances and exhibits.


A video and sound artist for a studio called ‘The Acid House’, Pauline is also one-half of ‘Sublingua, Submachines’, a sound/ video experimental laboratory she shares with her husband. Their exhibits include New Weave Singapore/Australia (2021); Glass Feathers, Amniotic, Music For The Impaired (2013 Art Fair Philippines); and Babel, which was also screened in Kuala Lumpur, London, Montreal and New York.


She has recently concluded her fourth solo show called Wave Form and Eclipses and doing an A/V series New S1mulation for Sublingua, Submachines; and pen and ink series called Siamese, Snakes.
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Susannah Anak Rogo Sitai Liew b.1990, Brunei


Susannah Anak Rogo Sitai Liew is born and raised in Brunei Darussalam. She goes by her artist name Suzi Sitai. She comes from a diverse lineage of Lun Bawang, Iban, and Hakka.


She completed her Bachelor of Arts in Creative Arts and Technology at Universiti Brunei Darussalam in 2015. She proceeded to work as an art lecturer at a local college. She has recently completed her Master of Arts in Cultural Policy and Arts Management in University College Dublin in 2020. Her artworks have been exhibited on numerous occasions nationally and internationally and have been featured in numerous national publications.


Her works are deeply influenced in the styles of Symbolism, Surrealism and Art Nouveau. She tends to experiment and use a variety of mix media; ink, watercolour and acrylic. Most of her works are based upon her personal dedication, fascination and interest in the cultural identities of Borneo - showcasing the diversity of the island’s indigenous culture and its rich biodiversity.



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Venice Foo, b. 1996, Sabah, Malaysia


Venice Foo is a full-time artist based in North Borneo.
She has always been inspired by nature, which is her biggest source of inspiration. From paintings to needle works, Venice’s works are meticulously detailed and brightly coloured. She is currently experimenting with different medium like origami, making installation with yarn and tattoo art. Venice is also currently preparing for her very first solo exhibition.



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Wendy Teo, b. 1984, Sarawak, Malaysia


Wendy Teo is a ARB/RIBA (UK) Chartered Architect and founder of Borneo Laboratory, a multidisciplinary practice based in Borneo Malaysia. Teo is also a visiting scholar in Feng Chia University (Taiwan) as an Assistant Professor. In Teo’s research and pedagogical direction, she and her team focuses on embedding social-culture dialogue in forming architectural innovation. Born in Borneo, Teo received her B.Arch (Dist.) from Taiwan Feng Chia University, M.Arch (Dist.) from Bartlett, UCL. During her career with Foster and Poster, Teo also accomplished her ARB Part III course from Cambridge University and qualified as LEED green associate. Teo's projects were endorsed by a number of international awards such as Holcim Sustainable Next Generation Award (First Prize), Archiprix, Threadneedle Prize and more. Her projects were exhibited across the UK, France, Germany, Slovenia, Turkey and Taiwan. One of the notable exhibitions is 2013/14 Archilab Naturalising Architecture exhibition curated by Pompidou Center director Frédéric Migayrou and FRAC Orlean Director Marie-Ange Brayer. Teo was nominated by British Council as a fellow in 2018 ‘Woman of the Future’ South East chapter organised by AVIVA group.




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CATRIONA MADDOCKS
Pau Lambton Ngelampat


Paint, pen & ink on tracing paper
84.1 x 59.4cm
2022
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ISSAY RODRIGUEZ
Cosmic Garden #2


Collage of vegetable flowers photographed in UVIVF
122 x 122cm
2022
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ISSAY RODRIGUEZ
Cosmic Garden


Collage of vegetable flowers photographed in UVIVF
122 x 122cm
2022
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MAZIYAH YUSSOF
Creator II


Mixed Media on Canvas
100 x 70cm
2018
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MAZIYAH YUSSOF
Padian


Digital Illustration
48 x 33 cm
2020
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MEMETO JECK
Bambarayon


Wood print on paper
53 x 38 cm
2022
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MIRA HECTOR
Di Bawah Kulung


Acylic, watercolor & ink on paper
21 x 29.7 cm
2020
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NAZURAH USOP
It Starts Within Ourselves


ink and acrylic on paper
84 x 59 cm
2021
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NAZURAH USOP
Pride


ink and acrylic on paper
84 x 59 cm
2020
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SUSANNAH ANAK ROGO SITAI LIEW
The Iban Girl


ink and acrylic on wood
90 x 60 cm
2014
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SUSANNAH ANAK ROGO SITAI LIEW
The Lun Bawang Girl


Ink and acrylic on wood
90 x 60 cm
2018
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VENICE FOO
Emersed


Ink, colored pencils, graphite & embroidered with gold colored thread on paper
21 x 29.7 cm
2017 - 20220
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